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Two Moons Merge Alienation with Connection

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by Cameron Crowell

TWO MOONS And a third guy.
TWO MOONS And a third guy.Claire Gunville

“I LIKE TO THINK of albums as photographs, because visual representation and recording goes hand in hand with audio,” says Two Moons’ Aaron Liu. “What I’m saying isn’t science, per se. I don’t want to sound like a stoner or anything like that, but sound is about frequencies and the speed at which you arrange your composition in a specific moment. To me, that resonates with using a camera to preserve an image, while still arranging the colors and such in that moment in time.”

The vocalist/guitarist’s own photos have appeared in the zine Semi-OK, and Two Moons’ new EP, Strings, maintains this visual sensibility in musical terms. Liu’s songs inhabit moments of darkness like a light flickering between alienation and connection.

I meet the Portland trio outside the Avalon Theater and Wunderland arcade on SE Belmont on an evening when a windy downpour has begun to turn the record snowfall into slush, but the sidewalks are still caked with a slick layer of ice. Already waiting in the lobby is bass player Mike Bonham; he’s soon joined by Liu and drummer Andrew Massett, whose arm hangs in a sling after he slipped on the ice a few weeks prior. We decide to head to the Triple Nickel, and sit on the patio while a band covers “Say It Ain’t So” inside. I ask Liu if he’s ever been in a cover band, “No, but I kind of wish I was,” he says.


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