by Suzette Smith
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From its awe-inspiring opening montage, Luc Besson’s Valerian and the City of a Thousand Planets immediately immerses its audience in a brilliant, idiosyncratic sci-fi universe—one that’s unlike anything we’ve seen for 20 years, since Besson’s last brilliant, idiosyncratic sci-fi universe, in The Fifth Element. Those of us who loved The Fifth Element will get exactly what we’ve been missing with Valerian. It’s a delight.