by Eric D. Snider
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Get Out is a feature-length version of the not-quite-joking sentiment among African Americans that the suburbs, with their overwhelming whiteness and cultural homogeneity, are eerie twilight zones for Black people. Far from being a one-joke movie, however, Jordan Peele’s directorial debut is both a clever, consistently funny racial satire and a horror film, one that mocks white liberal cluelessness and finds humor in—but doesn’t dismiss—Black people’s fears.